Northern Italian Postures, Part 5: The postures of Nicoletto Giganti - continued
Today we’ll wrap up our discussion of Giganti’s advice on the primary postures for swordplay from his Scola, Overo Teatro (1606).
For part 6 of this multi-part series looking at the northern Italian rapier postures, we will move on to the postures as described in the Vienna Anonymous’ manuscript (1614).
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